The Greatest Showman - Chapter 2047

[2011 is going strong]

The North American market is the most mature and well-developed commercial film territory in the world. Due to various historical backgrounds and social reasons, the effect of two sets of tights is bringing more constraints to the market, but instead breeds uncertainty. The inevitable price of pioneering and enterprising at the forefront.

Relatively speaking, it is relatively stable and relatively mature overseas markets such as Japan, South Korea, the United Kingdom, France, Germany and Australia, etc. They are in the most stable state of the system at this stage, and the superstar effect and word-of-mouth effect can still play the biggest role. , the box office of excellent works will never disappoint, and the laws and context of the market are still the most familiar appearance, so that film companies can rest assured.

This also means that works with outstanding reputation will not be let down in overseas markets, such as “Captain America 2”, “X-Men: Reverse the Future” and other works, and the box office results are more stable than the North American market. It is also the reason why major film companies are paying more and more attention to overseas markets.

Now, it’s Interstellar’s turn.

Facts have also proved this.

In June, “Interstellar Crossing” began to land in overseas markets one after another; finally, in October, the film landed in Japan, the last large market in the world, announcing that “Interstellar Crossing” was completed in 64 countries and regions around the world: although the overall release The number of regions is not the largest, inferior to “Captain America 2”, “Transformers 4” and “Guardians of the Galaxy” and other works, but the excellent box office numbers easily surpassed a number of competitors and handed over a perfect answer.

Unexpected but reasonable, the Korean market exploded with incredible energy, and even surpassed Renly’s hometown of the United Kingdom in one fell swoop, becoming the second largest ticket warehouse in the world’s overseas markets after Huaxia, a single market to collect revenue. The box office of 100 million US dollars has also become the third market for “Interstellar Crossing” to exceed 100 million at the box office worldwide. The sturdy data has caused a lot of exclamations.

Accident?

A surprise indeed!

The Korean film market, whose presence has never been comparable to that of China and Japan, is not much recognizable compared with many mature markets in Europe. Although it has repeatedly been able to break out into a frenzy when superhero movies are released, this is also Disney’s Marvel movie director. It is the reason why I like to go to South Korea for publicity, and the excellent market rate of return is undoubtedly the biggest reason; but in terms of box office numbers, it still lacks explosive power. The small population is a major reason, and the total population is low and there is no way to do it. Giving more support to movies and music like Japan is another major reason. In the final analysis, it is the inherent shortcomings of the market that limit South Korea’s influence.

But this time, the Korean market has erupted with such terrifying and terrifying energy, which is really eye-catching.

Not surprised?

In fact, it can be expected.

The core theme of “Interstellar” is father-daughter kinship, which is too sensational for North America and Europe, but has become a lot of slots; but for South Korea, it is just right,

It can even be said that it is right to the appetite. Such works with deep emotional resonance can always find a place in this market, and even trigger a movie viewing frenzy. Today, pure love movies still have a deep market foundation to some extent. Said that such sensational films can often achieve better results in South Korea than in China and Japan, two neighboring countries.

So, here comes the result!

“Interstellar” made history in the Korean market!

It has become the third overseas film in the history of Korean films with over 10 million viewers; it is also the 14th film in the history of Korean films with over 10 million viewers; and finally the second longest in Korean film history The number of overseas imported works with box office data exceeding 100 million US dollars!

Because the total population of South Korea is about 50 million, the standard for measuring a movie is not the box office number, but the number of moviegoers.

Generally speaking, the revenue benchmark is 5 million people, which means that one out of ten people has seen this work; and all the works that can exceed 10 million people are all works recorded in history, with an average of five. It’s absolutely terrifying that one of the individuals has seen this work.

In 2003, “Silmi Island” became the first film in the history of Korean films to exceed 10 million viewers. Since then, more excellent works have appeared one after another. Unconsciously, it was possible to create such a feat. The works also reached double digits, but as a whole, they began to focus on Korean domestic movies. As for imported movies, only two works have achieved such a feat, and there is no “Avengers”.

In 2009, “Avatar” created such a feat for the first time in the Korean market, which was also the total Korean box office champion as of June 2014; then “Frozen” released at the end of 2013, and now “Interstellar” .

In the end, the audience of “Interstellar” in South Korea reached 12.27 million, making it a strong place in the top ten of the rankings of moviegoers in Korean film history, temporarily behind “Avatar” and “Monster of the Han River” , “League of Thieves”, “Gift from Room No. 7”, “Double King” and “The King’s Man”, ranked seventh!

Even though it was predicted in advance that “Interstellar” might achieve good results in South Korea, the final result was so good that it could even be called sturdy and strong, which still caused a cry of exclamation, and also opened up the film’s excellent performance in overseas markets. Prologue,

the United Kingdom, France, Russia, Germany, Poland, Australia, Italy and Japan, respectively, became the third to tenth place in overseas markets.

The unexpected rise of China and South Korea has eclipsed the British market and almost disappeared from the global box office news reports, but in fact, the British box office of “Interstellar” is also very gratifying, with a box office data of 50 million US dollars It is still particularly conspicuous, but the outburst of competitors caught everyone off guard, and was unfortunately robbed of all the light; and the United Kingdom is not the only market that has been ignored, or in other words, China and South Korea are not the only two. An “unexpected rise”.

The outbreak of the Russian and Polish markets is also eye-catching, especially the latter. “Interstellar” has earned a box office of 20 million US dollars in the Polish market. This is the second work in Poland’s history to exceed the 20 million threshold. The last one is “Avatar”, which is enough to prove the amazing degree of the box office.

Obviously, the different positioning of “Interstellar Crossing” in different markets still produced many variables and also brought many surprises.

In addition to the above ten countries and regions, the total box office of Spain, China/Taiwan/Taiwan, Brazil, and Mexico all exceeded the threshold of 10 million US dollars, and the major markets around the world have all handed in an excellent answer sheet, continuing to The constant strong performance has swept away the worries and haze in the early stage of the premiere. This is the box office number that truly meets the expectations of “Renly meets Nolan”.

Following the North American market, the overseas market performance has also surpassed works such as “Maleficent”, “Captain America 2” and “X-Men: Reverse the Future”, and has appeared in “Transformers 4” and other powerful competitors. Previously, “Interstellar” briefly topped the 2014 North American grossing and global grossing No. 1 spot.

In the end, “Interstellar” became the first work in 2014 to break the threshold of US$600 million at the overseas box office, reaching US$672 million!

So far this year, the most outstanding overseas box office performance is “Maleficent”, with 517 million US dollars, slightly ahead of “X-Men: Days of Future Past” by less than 3 million US dollars, controlling the US box office and global box office. The box office champion “Captain America 2” can only rank third in the global box office, and the number behind is nearly 50 million, the gap is obvious; but now all the data has been greatly refreshed by “Interstellar”, and it really lives up to expectations!

This achievement easily surpassed the overseas box office of “Inception” of $535 million and “Batman: The Dark Knight Rises” of $636 million, setting a new record for Nolan’s directorial career. At the same time, it also became the second-highest overseas box office work of Renly’s personal career, surpassing “Edge of Tomorrow” and second only to “Gravity”.

“Interstellar” global box office gross: $1.127 billion.

“New York Times”, “Renly Hall hits record high again, third global box office hit!”

“Los Angeles Times”, “Twenty billion-dollar film in film history! Renly Hall alone holds three Seats!”

“Variety,” “Beyond Superheroes, Reality Superstars Are Officially Born: Renly Hall Continues His Prosperous Career!”

“The Hollywood Reporter,” “Second Global Billion-Billion Movie in Seven Months , other than Marvel, who can achieve such power?”

“Chicago Tribune”, “Disney is creating the Marvel Universe, Warner Bros. is creating the DC Universe, Universal Pictures is creating the Dark Universe, Sony Columbia is creating the Spider X-Men Universe, Twentieth Century Fox is creating the X-Men Universe, and Renly-Hall is creating the Renly Universe.”

“Empire”, “Belonging to the heyday of Renly! The world’s first!”

“The Times” , UU reading www.

sonicmtl.

com “Unparalleled pinnacle! Renly has once again proved his unparalleled power!”

“San Francisco Chronicle”, “1127000000! 3rd Global Billion Achieved!”

“U.S. Weekly”, “Superstars Rise! Renly Hall has proven himself to be the undisputed absolute superstar of the contemporary era with three global box office hits in three years! This is an era when superstars die, but also a superstar is born. The era!”

All the media around the world collectively exploded, and all the major entertainment pages were full of reports that “Interstellar” crossed the billion-dollar global box office; moreover, all mentioned Renly, but not mentioned Nor Christopher Lan, not to mention Anne Hathaway, Jessica Chastain, Matt Damon and a series of other top big names, it seems that all the credit goes to Renly,

which is unfair!

But this is also reality!

But why?

Why did the news media make such obvious and biased mistakes?

The biggest possibility is: this is not a mistake, but a reality!

[End of this Chapter]